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Www.Book Of Ramayan BewertungenIn den Warenkorb. Bestandsnummer des Verkäufers GI5N The exact Xxlscore De Auswahl of creation of Ramayana is unknown, and is estimated to lie between the 10th and 5th century B. Buchbeschreibung Zustand: Very Good. Diese App hat die Sicherheitstests gegen Viren, Malware Casino Shanghai andere Schadattacken bestanden Egypt Sun enthält keine Bedrohungen. He is impressedit would be appropriate to say that he is influenced by Shodasi : Secrets of the Ramayana of Seshendra Sharma. The original 'Ramayana' consists of 7 books Poker Bankroll Management as 'Kandas'. Details ansehen. Das Râmâyaṇa: Geschichte und Inhalt nebst Concordanz der gedruckten Recensionen. Front Cover. Hermann Jacobi. F. Cohen, From inside the book. Goldman, Robert and Goldman, Sally Sutherland () "Rāmāyaṇa", in Knut A. Jacobsen et al. (eds.) Brill's Encyclopedia of Hinduism. Books 4 People Wholesale Trade Services for Book shops, Libraries and Schools at low Price. Vaidik lekhan dekhana hai ki kya baibil bharosemand hai. Mythology of Chiranjeevis used to examine if resurrection of Jesus is historical or not. Adjust its size, angle, and even where it's placed. The spine may show signs of wear. The exact date of creation Finding Yoda Ramayana is unknown, and is estimated to lie between the 10th and 5th century B. It should be added that attempts to date events or read Polish Pln or allegory from astronomical descriptions are quite exact, yet they tend to be heavily contested. Beliebte Apps. Summon Eidolons, establish tactics Poker Pionier party battles, and most of all Shodasi : Secrets of the Ramayana 3. Details ansehen. Verlag: Penguin Books. Cultivate and form inseparable bonds with your partners -- Design a team exclusive to you.
Akampana suggests that Rama's greatest weakness is his wife Sita; if she were abducted, he would die of a broken heart.
Ravana consults with his uncle Maricha about how best to defeat Rama. Rama defeated Maricha when Rama was only a youth; one of Rama's magical weapons plunged Maricha thousands of miles into the sea.
Maricha tells Ravana that Rama will be his doom, but Ravana is determined to seek revenge against the prince. Ravana's wrath is increased by the appearance of his sister Surpanakha, who had been mutilated by Rama and Lakshmana for attacking Sita.
She tells Ravana about the incomparable beauty of Sita, kindling his lust as well as his fury. He cajoles and threatens Maricha until the other raskhasa agrees to assist him, and hatches a wicked plan.
Ravana and Maricha travel to Panchavati, and Maricha transforms himself into a beautiful golden stag. Sita, who loves animals, is utterly enchanted by him as soon as she seems him, and she asks Rama to capture the deer for her.
Rama chases after the deer, who leads him deep into the forest. Slowly, Rama realizes that this is no true creature of the forest, but a rakshasa. He shoots the stag with an arrow, and Maricha takes on his rakshasa appearance once again.
Before he dies, Maricha calls out for Lakshmana and Sita in a perfect imitation of Rama's voice. Hearing this terrible cry, Lakshmana plunges into the forest to help his brother, leaving Sita alone in the hut.
Ravana takes on the form of a wandering ascetic and approaches her. As soon as he sees Sita, he falls madly in love with her. When he has gained her trust and been invited into the hut, he reveals his true self and demands that she be his queen.
Sita refuses, saying that she loves Rama far too much to ever leave him. Ravana grabs Sita and takes her away in his sky chariot, ignoring her screams of protest.
Jatayu the golden eagle sees the princess being captured, and attacks Ravana to try to save her. He injures the rakshasa, but Ravana cuts off his wings and leaves him for dead.
Sita takes advantage of this momentary confusion to take off her jewelry and drop it to the earth, leaving a trail for Rama to follow. Ravana brings Sita far away to his kingdom in Lanka.
He demands that she submits to him and become his queen, but she refuses once again. He tells her that she has a one year to consider his love, after which he will kill her and eat her alive.
Sita weeps in terror, but refuses to give in. In Panchavati, Rama and Lakshmana realize that they have been deceived. When they find the hut empty, they realize that Sita has been kidnapped, and they follow the trail south.
They find the dying Jatayu, who tells them that Ravana has kidnapped Sita. The two brothers perform funeral rites for Jatayu, and then continue their search for Ravana and Sita.
On the way, the brothers meet a terrible demon named Kabandha , who has the form of a body with no legs or head, only arms and a gaping mouth.
After they dispatch him, he explains that Indra transformed him into this ugly shape; formerly, he was a celestial archer. Rama spends the book fighting demons and trying to win her back.
Sweet romantic Arthurian type stuff here, right? While a captive with Ravana, Ravana constantly tries to trick Sita into marrying him, telling her Rama is dead, offering her jewels, etc.
Sita forebears every inducement and stays true to Rama, even at the risk of her own safety and comfort. Noble lady, Rama is a lucky guy, right?
Again, wrong. Rama eventually vanquishes Ravana, or really, mostly it is through the efforts of his family and friends that he overcomes, through their deaths and sacrifices, they who will do everything blindly for Rama, simply because "Rama is Rama".
So he gets Sita back. She comes up to him, ready to throw herself in his arms. We, the western readers are here expecting a happy reunion, the fruition of all the books struggles.
But this is India, or specifically Hinduism, with it's sometimes warped sense of human relations.
Rama scorns Sita, he basically spits in her face and laughs at her in disgust, he tells her that he didn't fight Ravana for HER how presumptuous of the silly girl to think so!
He rejects her and moves along, leaving a crushed Sita, wallowing in pain for Rama, who let's not forget she loves devotedly simply because he is Rama.
He does this because he considers Sita "spoiled" for having been in the possession of another man demon and to associate with her would be a stain upon him.
Sita decides well if I can't have my Rama I might as well self-immolate myself. This she does, "as any good Hindu wife should".
Everyone gathers around to show Rama what happened and Sita is reborn and they live happily ever after with Sita fully acknowledging what an insignificant human she is and what a great and glorious man God Rama is - it's every Hindu man's greatest story to share with their wives and daughters, training generations of women into blind submission to their men.
Vomit on this.. I'm not a rabid feminist but I have a good eye for propaganda designed to oppress. Next week we can read the Bhagavad Gita, in which Rama, now in the form of Krishna, counsels Arjuna to dispell his indecision about whether or not he should take part in a war against his cousins to slaughter them, Krishna counsels that rather he should blindly perform the slaughter of his cousins and do it in "God's name" as a "tool of God" and have his conscience clean.
It is no doubt a human tale, but there is some sentiment it evokes that I cannot put into words. Some tug just behind the tear-producing glands I found that this telling captured how I'd felt about the Ramayana, having grown up listening to all the stories as part of nightcaps or preludes to evening prayers, living both unashamedly indian and unconfusedly western lives.
It was honest and plain, glorious and abundant, rich and telling, and yet so bizarrely mysterious. I remember the first time It is no doubt a human tale, but there is some sentiment it evokes that I cannot put into words.
I remember the first time I read it and gaped in awe at Ravana's moment of curtain - certainly the most appealing twist I'd ever come across in this story.
Indeed, the very essence of Hindu philosophy was found scribbled in one letter, sealed in stone tablet, from Ravana to Rama. Most clever!
Yes, there were moments when I found the narrative difficult to follow: stumbling turns of phrases and awkward shifts between points of person.
I don't know if this was because Buck wasn't a professional writer, or because a translation from ancient Sanskrit to modern English wouldn't simply lose much of the original sense.
How will we ever know? Still, there is an essence of old, an unknown-ness somehow comforting, that this version captures and delivers.
Those unacquainted with the premise of the Ramayana must remember that this is an epic; one of the most voluminous stories ever told. Imagine, it has shaped the course of civilisations over millenia!
So they cannot get in expecting a light read over tea and cake. Verily, the hero must be Hanuman. For there seems no greater adventurer than he, living like a fuel caught ablaze in the momentary spark that is life.
Jan 28, Pramod Nair rated it it was amazing. One of the best and easy to read translations of Ramayana to English written in beautiful poetic prose.
In her magnificent translation Arshia Sattar has successfully bridged both time and space to make this monumental ancient classic accessible to the present-day reader.
She has also worked with documentary film and theatre. She currently works as a freelance writer and researcher.
She is also the programming director at OpenSpace, an NGO committed to promoting awareness of issues such as globalization. He is the author of the epic Ramayana, based on the attribution in the text of the epic itself.
The Yoga Vasistha is attributed to him. A religious movement called Valmikism is based on Valmiki's teachings as presented in the Ramayana and the Yoga Vasistha.
At least by the 1st century AD, Valmiki's reputation as the father of Sanskrit classical poetry seems to have been legendary.
As with many traditional epics, it has gone through a long process of interpolations and redactions, making it impossible to date accurately.
One of the most important literary works of ancient India, the Ramayana has had a profound impact on art and culture in the Indian subcontinent and Southeast Asia.
The story ushered in the tradition of the next thousand years of massive-scale works in the rich diction of regal courts and Brahminical temples.
It has also inspired much secondary literature in various languages, notably the Kambaramayanam by the Tamil poet Kambar of the 13th century, the Telugu-language Molla Ramayana, 14th century Kannada poet Narahari's Torave Ramayan, and 15th century Bengali poet Krittibas Ojha's Krittivasi Ramayan, as well as the 16th century Awadhi version, Ramacharitamanas, written by Tulsidas.
As in many oral epics, multiple versions of the Ramayana survive. Father Kamil Bulke, author of Ramakatha, has identified over variants of Ramayana.
Jun 17, Udit Srivastava rated it it was amazing. There was a line in the final credits background song in Ramananda Sagar's Ramayana, which I fondly watched as a child- "Puni Puni Kitne hi Kahe Sunave, Jiya ki Pyaas bujhat na Bujhae", which loosely translates to-" Even after repeated re-tellings of this beautiful story of Shree Ram, the heart does not get tired of listening to it".
This line broadly sums up my review for this book, which I wanted to write in detail. It is a long read and took me a while to complete.
As most of the Indians, I wa There was a line in the final credits background song in Ramananda Sagar's Ramayana, which I fondly watched as a child- "Puni Puni Kitne hi Kahe Sunave, Jiya ki Pyaas bujhat na Bujhae", which loosely translates to-" Even after repeated re-tellings of this beautiful story of Shree Ram, the heart does not get tired of listening to it".
As most of the Indians, I was aware of most of the events and narratives that build up this epic tale but novelty is not what I sought when I decided to take up this as my next read.
The excellent style of C. Rajagopalachari in presenting this story is the pudding on the cake. The book takes direct cues from Valmiki Ramayana, which focused more on the human side of Rama than the divine side, which is the focus in the versions of Tulasidas and Kamban.
The flow of the book is bit on the slower side, which helps the reader to get absorbed and empathize with the emotions that the characters are going through at a point of time.
One of the most elaborate sections that deserve a special mention are- Dasaratha's longing for Rama at the time of his going on exile, Rama's pain after the abdustion of Sita and Kumbhakarana's dialogue with Ravana before the ultimate battle which addresses the moral dilemma that he faces.
One of the points that this book touches upon is the comparison of Vibhishana and Kumbhakarana and their relative stance on the principle of dharma.
Both are correct in their own stances but, the author Rajaji treats the Dharma of Vibhishana to be the better choice in such a situations and rightly absolves Vibhishana of being called a traitor to the Rakhshasa family.
Overall, this book is a great read. For people who are well versed with the story of Ramayana, there is nothing new as far as the content is concerned, but the treatment of the epic by Rajaji, who himself was one of the most intellectually distinguished personalities of his time; is commendable.
I will rate this book as five. Go pick up your copy or download it on your kindle for just 99 bucks. Anyone who wants to know how the gods and goddesses really live should read this.
It's a rollicking tale of romance and intrigue that even after years of telling seems fresh and current. It's sheer humanity defrocks religious dogma that often seems oppressive, overbearing, and out of touch with the real world of human desires and emotions.
A good time is had by all including the bad guys and girls who, having been resoundingly defeated, just seem happy to have resolved some of their karma as Anyone who wants to know how the gods and goddesses really live should read this.
A good time is had by all including the bad guys and girls who, having been resoundingly defeated, just seem happy to have resolved some of their karma as they dissolve into nothingness and prepare to return in another incarnation hopefully in a somewhat less combative frame of mind.
Each character becomes a lovable reflection of ourselves and even the evil Ravannna shows us a touch of humor and wisdom which may help us to rest a little easier with our own dark side.
There is something for ever taste here. Of course the romantics among us are served up a timeless love story, that of Prince Rama and his beautiful and seductive consort Sita, from which modern soap operas could learn a thing or two.
Needless to say, love wins out, despite every effort by the forces of evil to separate the devoted duo. Lest the action crowd fear that they will be fed a steady diet of mush mush, be reassured.
Your imagination will be stretched to it's limit and there are enough special effects and wizardry to keep Harry Potter fans waving their wands for more.
They can read the Mahabharata next For those who require that their spirituality be a little less seasoned with sex, and the intrigue and violence that often goes with it do not despair.
You have not been forgotten, for in the midst of the worst that humanity can do to itself, as heads are lopped off and blood flows unconditionally, there are doses of profound wisdom which, if swallowed and digested, will definitely keep the devil away.
I know. I've tried it and it does work. There are a few reasons I am giving this text just two stars.
First and foremost among these reasons is for the quality and style of the translation. It is hard for me to believe that a translator could take the liberties that this one has with such an ancient and sacred text, and yet here we are.
The translator made the decision to remove tens, if not a hundred or more cantos from this version of the Ramayana, for various reasons, including a personal feeling that certain content was not approp There are a few reasons I am giving this text just two stars.
The translator made the decision to remove tens, if not a hundred or more cantos from this version of the Ramayana, for various reasons, including a personal feeling that certain content was not appropriate for a "modern" audience, or simply that some cantos were too repetitive, boring, didn't fit with the rest of the story, or were too tedious to translate.
Further, in the future I think that I would choose to read a version which had been translated accurately, as opposed to altered in order to match the meter in English.
The rhyming style is indeed simple and tedious to read. The language is understandably antiquated, yet somehow this translation seems more stale than other equally ancient verses, perhaps that is the nature of the original text, but more likely it is the fault of the translation.
All of this being said, I think that in order to fully judge the Ramayana itself I would have to read at least a few parts of other translations.
My personal feelings about characters and certain aspects of the story reflect my own values, which are opposed to some of what appears in this text.
Apr 25, Ganesh Muthupalani rated it it was amazing. This review has been hidden because it contains spoilers. To view it, click here.
A beautiful story that has numerous morals embedded in it. Even till today, the story of Ramayana is recited and narrated worldwide.
Rajagopalachari's book is a concise version but he has presented the story beautifully. Rajagopalachari, throughout the book, recommends one to visit the work by Valmeeki original narrator and Kamban later translated into Tamil for the vivid descriptions.
Here's a really quick summary of A beautiful story that has numerous morals embedded in it. Here's a really quick summary of Ramayana.
In the forest Seeta was attracted by the golden deer and Rama went after it. At that time, the wicked Ravana kidnapped Seeta.
Lord Rama crossed the ocean and entered the city of Lanka. He then destroyed the city of Lanka, killed Raavana and set Seeta free.
It was a magical feeling to visualize the story. I loved the book. The story started up slowly but then after story on Rama's expelled from his father's kingdom things start to warm up.
Towards the end on Rama vs Ravana confrontation storyline is very exciting. During my jr. You may also like to read, Lord Buddha Story.
One day, a terrible thing happened. A she-demon called Soorpanakha saw Rama and wanted to marry him. When Rama refused, she asked Lakshmana to marry her.
Angry at his refusal, she attacked Sita. On seeing this, Lakshmana rushed to help Sita. Soorpanakha went to his brother, Ravana, the King of Lanka and asked him to punish them for insulting her.
Ravana sent his uncle Mareecha who took the form of the golden deer to attract Sita. On seeing this, Sita asked Rama to catch it.
Rama chased the deer and finally shot it. Before leaving, Lakshmana drew a magic line to protect Sita and asked her not to cross the line under any circumstance.
As soon as Lakshmana left, Ravana came in the guise of the sage. As soon as she crossed the line, Ravana grabbed her and flew away to Lanka.
Hearing her cries, Jatayu, the King of Eagles tried to help her but Ravana wounded him badly. Rama and Lakshmana set out in search of Sita. Jatayu told them that Sita had been abducted by Ravana.
On their way, Rama killed demon Kabandha releasing him from the curse. The demon advised them to meet Sugriva, who would be of great help in finding Sita.
Rama defeated Bali and Sugriva became the monkey King. Keeping his promise, Sugriva asked his chief, Hanuman, and his entire army to help him.
Rama sent Hanuman in search of Sita. Hanuman then asked Ravana to set Sita free but Ravana refused. He caught Hanuman and set his tail on fire.